Extent: .5 linear feet (14 notebooks and 1 folder)
Historical information: Judy Gray Crawford studied linguistics at the University of California, Berkeley in the late 1960s, during which time she conducted field research on Mojave and other Yuman languages of the southwestern United States. Her 1973 M.A. thesis at Idaho State University was a comparative study of Pomoan and Yuman languages.
Scope and content: The Papers document Judy Gray Crawford's research on the Yuman languages of California and Arizona, especially Mojave. The collection includes Mojave texts, wordlists, and grammatical elicitation from field trips conducted in 1968 and 1972. Also included are wordlists from several other Yuman languages from an initial reconnaissance trip in July 1967 and a photocopy of Crawford's Idaho State University M.A. thesis. Crawford's Mojave consultants included Nellie Brown, Duane Drennan, Elmer Gates, Robert Martin, Rose Martin, Flora Sands, and Emmett Van Fleet. She also worked with Lillian Hayes (Cocopa), Phyllis Hayes (Cocopa), Grace Mitchell (Yavapai), Lorenzo Sinyella (Havasupai), and Felipa Ida Sundust (Maricopa).
Repository: Survey of California and Other Indian Languages
Preferred citation: Nellie Brown, Duane Drennon, Elmer Gates, Robert Martin, Rose Martin, Flora Sands, Emmett Van Fleet, and Judith G. Crawford. Judy Gray Crawford Papers on the Mojave Language, CrawfordJu, Survey of California and Other Indian Languages, University of California, Berkeley, http://dx.doi.org/doi:10.7297/X21N7Z2J.
Associated materials: Audio recordings associated with the Papers are in the Berkeley Language Center, Berkeley, California (LA 248).
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: . Miscellaneous sound recordings from the Phoebe A. Hearst Museum of Anthropology, PHM MISC, Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/collection/11078.
Historical information: Robert Louis Oswalt, Pomoan language scholar, received his Ph.D. from the University of California, Berkeley in 1964. His fieldwork on Kashaya (Southwestern Pomo) began in 1957 and led to his dissertation, A Kashaya Grammar, and the publication of the book Kashaya Texts in 1964. Dr. Oswalt continued to work on Pomoan languages until 2005, conducting fieldwork on Kashaya, Southern Pomo, Northeastern Pomo, Northern Pomo, and Central Pomo and exploring the historical relationships within the Pomoan family. The Kashaya and Southern Pomo dictionaries that Dr. Oswalt compiled during his decades of fieldwork on those languages were never published.
Scope and content: These Papers document the linguistic work of Robert Oswalt, including his fieldwork on Pomoan languages and Yuki, Kru-Gbato, Aleut, and Bribri, his research on historical linguistics and other linguistic topics, and his professional activities. The papers include field notebooks containing vocabulary and elicited sentences for Kashaya, Southern Pomo, Northeastern Pomo, Northern Pomo and Central Pomo, with additional longer texts in Kashaya and Southern Pomo, vocabulary file slips for Kashaya, Southern Pomo, and Central Pomo, as well as notes on grammar and Pomoan cognates. His primary consultants for Kashaya were Essie Parrish and Bernice Scott Torrez, and his Kashaya consultants also included David Antone, Violet Parrish Chappelle, Gladys James Gonzales, Allen James, Herman James, Mary James, Milton (Bun) Lucas, Vana Lawson, Kate Marando, Julia Pinola Marrufo, Sidney Parrish, Laura Fish Somersall, and Vivian Wilder. His primary consultants for Southern Pomo were Elsie Allen and Elizabeth Dollar and his Southern Pomo consultants also included Olive Fulwilder Effie Mabel Luff, Lucy Andrews Macy, and Laura Fish Somersall. His Northeastern Pomo consultants included Oscar McDaniel and Sharky Moore, his Northern Pomo consultants included Annie Lake and Edna Guerrero, and his Central Pomo consultants included Salome Bartlett Alcantra, Frank Luff, and Clara Williams. He conducted Aleut fieldwork with consultant Kathryn Seller and Bribri fieldwork with consultant Guillermina Nelson-Rodrigues. His consultants for Yuki included Arthur Anderson and Bill Frank. The Papers include oral histories collected from linguist Abraham Halpern and Pomoan language consultants Essie Parrish, Elizabeth Dollar, Elsie Allen as well as photocopies of Kashaya and Southern Pomo genealogical and census records and other documents and material related to Pomoan languages, ethnography, and history. Research notes and photocopies of materials on methods for historical linguistics and several other linguistic topics are also contained in the Papers. Drafts of manuscripts and conference handouts created during Dr. Oswalt's career, including incomplete drafts of his Kashaya dictionary, are also included in the collection.
Repository: Survey of California and Other Indian Languages
Preferred citation: Elsie Allen, Elizabeth Dollar, Edna Guerrero, Achora Hanyava, Annie Lake, Milton "Bun" Lucas, Oscar McDaniel, Sharky Moore, Essie Parrish, Bernice Scott Torrez, Clara Williams, and Robert L. Oswalt. Robert Louis Oswalt Papers on Pomoan Languages, Oswalt, Survey of California and Other Indian Languages, University of California, Berkeley, http://dx.doi.org/doi:10.7297/X2C24TDG.
Associated materials: Audio recordings associated with the Papers are in the Berkeley Language Center, Berkeley, California (LA 98).
Scope and content: Linguistic field recordings: stories; linguistic data; songs/chants
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Alfred L. Kroeber. The Alfred L. Kroeber collection of American Indian sound recordings, PHM 39, Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/collection/11039.
Scope and content: Linguistic field recordings: linguistic data, ethnographic data, discussion, reminiscences. English glosses for all.; Digitization supported by NEH Preservation/Access Grant
Repository: Berkeley Language Center
Preferred citation: Lela Montgomery McCord, Emmett Van Fleet, and Guy Tyler. The Guy Tyler collection of Mohave sound recordings, LA 206, Survey of California and Other Indian Languages, University of California, Berkeley, http://cla.berkeley.edu/collection/10195.
Scope and content: Linguistic field recordings: linguistic data; ethnographic data; songs; additional ethnographic or ethnohistorical texts.; Digitization supported by NEH Preservation/Access Grant
Repository: Berkeley Language Center
Preferred citation: Robert Martin, Emmett Van Fleet, and Judith G. Crawford. The Judy Hummell Crawford collection of Mohave sound recordings, LA 248, Survey of California and Other Indian Languages, University of California, Berkeley, http://cla.berkeley.edu/collection/10207.
Scope and content: Linguistic field recordings: songs/chants
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Laura Boulton. The Laura Boulton collection of Southwest Indian sound recordings, PHM 16, Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/collection/11016.
Scope and content: Linguistic field recordings: stories; linguistic data; songs/chants
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Leanne Hinton. The Leanne Hinton collection of Southwest Indian sound recordings, PHM 19, Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/collection/11019.
Collection number: 2014-21
Relations to this collection:Jacobsen replaced by this Collection; 2018-32 derives from this Collection
Catalog history: The Materials replace SCL Jacobsen, the "William H. Jacobsen Papers on Indigenous Languages of North America"
Historical information: William H. Jacobsen (1931-2014) was born on November 15, 1931 in San Diego, CA to Cmdr. William H. Jacobsen, USN ret., and Julie Froatz Jacobsen. He graduated from Point Loma High School, San Diego, in 1949, and went on to graduate from Harvard University in 1953. Jacobsen then pursued graduate studies at the University of California, Berkeley where he engaged in fieldwork on Salinan and Washo under the auspices of the Survey of California and Other Indian Languages. While at UC Berkeley, he also worked on an early machine language translation project. He received his Doctoral Degree from UC Berkeley in 1964 with a thesis entitled “A Grammar of the Washo Language”, supervised by Mary Haas, which endures as the most complete grammar of Washo published to date. He also worked as an assistant professor of anthropology (1961-1962) and linguistics (1962-1964) at the University of Washington, spending many of his summers in Neah Bay, WA, working with Makah elders to record their language. Most of Jacobsen’s academic career was spent as a professor of linguistics at the University of Nevada, Reno where he taught for thirty years (1965-1994). Throughout his academic career Jacobsen was a prolific and versatile scholar, devising writing systems, creating materials for teaching tribal members Washo and Makah, and publishing many papers on linguistic topics. Jacobsen was an active contributor within the Americanist linguistic community not only through his research, which touched upon a diverse array of languages from Hokan to Wakashan and beyond, but also through steady correspondence and collaboration with colleagues and students. In addition to his work on indigenous languages of North America, Jacobsen was well-known for his extensive work on Basque, which he engaged in through his involvement in the Center for Basque Studies at UNR. Altogether, Jacobsen was familiar with all the main Romance languages and Sanskrit in addition to being a specialist in Washo, Makah, Salinan, Nez Perce, Nootkan, and Basque. He served as president of the Society for the Study of Indigenous Languages of the Americas, received the Outstanding Researcher Award from the University of Nevada, and received the Nevada Humanities Award. Jacobsen officially retired from UNR in 1994 but continued to engage with the linguistics community as an emeritus professor. Jacobsen passed away on August 18, 2014 in Reno, NV, at age 82.
Scope and content: These materials document the linguistic work of William H. Jacobsen on various indigenous languages of North America, especially Washo, Makah, and Salinan, as well as on other languages and linguistic topics Jacobsen came into contact with throughout his academic career. The collection includes Jacobsen’s original field notebooks from work on Washo, Makah, and Salinan, as well as smaller aggregates of field notes on Diegueño, Northern Paiute, Kwak’wala, and Cowichan. In addition to original field notes, the collection includes derived research notes; many of these derived materials were organized by Jacobsen into separate folders by topic, and have been catalogued as they were found in order to reflect Jacobsen’s own organization. These research notes encompass work on Washo, Makah and other Southern Wakashan languages, Salinan, Yana and other Hokan languages, other Californian languages, and other topics related to general linguistic theory. A set of finished or near-finished manuscripts and handouts is also included, in many cases constituting completed work derived from Jacobsen’s research notes. Also included are transcriptions of texts and conversations in Washo and Makah, notes from collaborative work with Grace Dangberg on Washo texts, and materials Jacobsen developed in order to teach both Washo and Makah. Original file slips from Jacobsen’s work in organizing lexical material from Washo, Makah, Salinan, comparative Wakashan and Hokan, and Tagalog are also included. In addition to materials from Jacobsen’s original fieldwork and research, the collection includes a wealth of materials that Jacobsen obtained from other researchers. These obtained materials include an extensive collection of original Washo field notebooks originally belonging to Grace Dangberg, Gordon Marsh, Walter Dyk, Phillip Barker and William Shipley, and Brooke Mordy. In addition, the collection includes file slips and derived field notes from various sources. On Washo, these materials include Gordon Marsh’s file slips, research notes from Grace Dangberg and Walter Dyk, and photocopies of various vocabulary lists obtained from the Smithsonian Institution; on Wakashan, this includes a set of file slips from an unknown source; and on Yana, this includes a variety of research notes and a box of file slips obtained from Bruce Nevin, along with various photocopied materials on Yana obtained from museums. Other obtained materials include derived work on Washo texts by Brooke Mordy and on Yahi by T. T. Waterman, a collection of rare, unpublished, or difficult to obtain manuscripts concerning various North American indigenous languages, and published curricular materials on Washo and Makah. Various materials related to Jacobsen’s academic, scholarly, and teaching activities are catalogued as a separate series in the collection, in addition to being scattered throughout Jacobsen’s research notes. Finally, the collection includes a set of sound recordings that were discovered in Jacobsen’s possession but are not otherwise catalogued in earlier CLA collections. These recordings include recordings of Washo, Makah, Bella Coola, Ibo, Abaza, and at least one other unidentified language; some of the recordings were made by Jacobsen with various identified consultants, while others were obtained from colleagues including Brooke Mordy, Laura Fillmore, and Warren d’Azevedo, among possible others.
Repository: Survey of California and Other Indian Languages
Preferred citation: William H. Jacobsen. William H. Jacobsen Materials on Indigenous Languages of North America, 2014-21, Survey of California and Other Indian Languages, University of California, Berkeley, http://dx.doi.org/doi:10.7297/X2028PGT.
Associated materials: Audio recordings associated with the Materials can be accessed online through the California Language Archive. In particular, audio recordings are located in The William H. Jacobsen, Jr. collection of Antoniaño Salinan sound recordings (LA 69), The William H. Jacobsen, Jr. collection of Washo sound recordings (LA 53), and the William H. Jacobsen, Jr. collection of Makah sound recordings (LA 52).
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Keeling catalog note: "The 'Frog' cycle is described by Herzog as follows: '(The) series is accompanied with the scraping of a basket. The rendition is with a peculiar, almost crying effect of the voice. The story deals with the travels of Frog' (1928:186)." Distributed on California Indian Music Project, Southeast region, tape 16, side A. Original cylinder 14-1140. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "Frog" Song, 24-1564, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12510.
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Keeling catalog note: "The 'Frog' cycle is described by Herzog as follows: '(The) series is accompanied with the scraping of a basket. The rendition is with a peculiar, almost crying effect of the voice. The story deals with the travels of Frog' (1928:186)." Distributed on California Indian Music Project, Southeast region, tape 16, side A. Original cylinder 14-1143. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "Frog" Song, 24-1567, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12513.
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Keeling catalog note: "The 'Frog' cycle is described by Herzog as follows: '(The) series is accompanied with the scraping of a basket. The rendition is with a peculiar, almost crying effect of the voice. The story deals with the travels of Frog' (1928:186)." Distributed on California Indian Music Project, Southeast region, tape 16, side A. Original cylinder 14-1147. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "Frog" Song, 24-1571, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12517.
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Keeling catalog note: "The 'Frog' cycle is described by Herzog as follows: '(The) series is accompanied with the scraping of a basket. The rendition is with a peculiar, almost crying effect of the voice. The story deals with the travels of Frog' (1928:186)." Distributed on California Indian Music Project, Southeast region, tape 16, side A. Original cylinder 14-1148. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "Frog" Song, 24-1572, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12518.
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Keeling catalog note: "The 'Frog' cycle is described by Herzog as follows: '(The) series is accompanied with the scraping of a basket. The rendition is with a peculiar, almost crying effect of the voice. The story deals with the travels of Frog' (1928:186)." Distributed on California Indian Music Project, Southeast region, tape 16, side A. Original cylinder 14-1149. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "Frog" Song, 24-1573, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12519.
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Keeling catalog note: "The 'Frog' cycle is described by Herzog as follows: '(The) series is accompanied with the scraping of a basket. The rendition is with a peculiar, almost crying effect of the voice. The story deals with the travels of Frog' (1928:186)." Distributed on California Indian Music Project, Southeast region, tape 16, side A. Original cylinder 14-1144. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "Frog" Song, 24-1568, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12514.
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Keeling catalog note: "The 'Frog' cycle is described by Herzog as follows: '(The) series is accompanied with the scraping of a basket. The rendition is with a peculiar, almost crying effect of the voice. The story deals with the travels of Frog' (1928:186)." Distributed on California Indian Music Project, Southeast region, tape 16, side A. Original cylinder 14-1145. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "Frog" Song, 24-1569, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12515.
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Keeling catalog note: "The 'Frog' cycle is described by Herzog as follows: '(The) series is accompanied with the scraping of a basket. The rendition is with a peculiar, almost crying effect of the voice. The story deals with the travels of Frog' (1928:186)." Distributed on California Indian Music Project, Southeast region, tape 16, side A. Original cylinder 14-1139. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "Frog" Song, 24-1563, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12509.
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Keeling catalog note: "The 'Frog' cycle is described by Herzog as follows: '(The) series is accompanied with the scraping of a basket. The rendition is with a peculiar, almost crying effect of the voice. The story deals with the travels of Frog' (1928:186)." Distributed on California Indian Music Project, Southeast region, tape 16, side A. Original cylinder 14-1142. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "Frog" Song, 24-1566, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12512.
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Keeling catalog note: "The 'Frog' cycle is described by Herzog as follows: '(The) series is accompanied with the scraping of a basket. The rendition is with a peculiar, almost crying effect of the voice. The story deals with the travels of Frog' (1928:186)." Distributed on California Indian Music Project, Southeast region, tape 16, side A. Original cylinder 14-1138. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "Frog" Song, 24-1562, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12508.
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Keeling catalog note: "The 'Frog' cycle is described by Herzog as follows: '(The) series is accompanied with the scraping of a basket. The rendition is with a peculiar, almost crying effect of the voice. The story deals with the travels of Frog' (1928:186)." Distributed on California Indian Music Project, Southeast region, tape 16, side A. Original cylinder 14-1146. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "Frog" Song, 24-1570, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12516.
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Keeling catalog note: "The 'Frog' cycle is described by Herzog as follows: '(The) series is accompanied with the scraping of a basket. The rendition is with a peculiar, almost crying effect of the voice. The story deals with the travels of Frog' (1928:186)." Distributed on California Indian Music Project, Southeast region, tape 16, side A. Original cylinder 14-1141. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "Frog" Song, 24-1565, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12511.
Description: Keeling catalog note: "This cycle, also called 'tall cane' or Ahta'-amalya'e, is a long series with more plot than most, according to Kroeber. The singer strikes a double beat on a Chemehuevi basket with a stick. There is no dancing (Kroeber 1925:764)." Distributed on California Indian Music Project, Southeast region, tape 13, side B. Original cylinders 14-910 and 14-911. 150 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ahta ("Cane") Myth, Conclusion, 24-1290, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12413.
Digital assets in this Item (not available for download): 14-910.txt (8806 bytes) 14-910.wav (22704974 bytes) 14-910_filtered.wav (22705050 bytes) 14-911.txt (9186 bytes) 14-911.wav (16800374 bytes) 14-911_filtered.wav (16800450 bytes)
Description: Keeling catalog note: "This is a duplicate of 14-905 (24-1287). For musical transcription see Kroeber papers (Carton 10)." Keeling catalog note: "This cycle, also called 'tall cane' or Ahta'-amalya'e, is a long series with more plot than most, according to Kroeber. The singer strikes a double beat on a Chemehuevi basket with a stick. There is no dancing (Kroeber 1925:764)." Distributed on California Indian Music Project, Southeast region, tape 13, side A. Original cylinder 14-909. 150 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ahta ("Cane") Song, 24-1289, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12412.
Digital assets in this Item (not available for download): 14-909.txt (8955 bytes) 14-909.wav (23627574 bytes) 14-909_filtered.wav (23627650 bytes)
Description: Keeling catalog note: "This cycle, also called 'tall cane' or Ahta'-amalya'e, is a long series with more plot than most, according to Kroeber. The singer strikes a double beat on a Chemehuevi basket with a stick. There is no dancing (Kroeber 1925:764)." Distributed on California Indian Music Project, Southeast region, tape 12, side B. Original cylinder 14-883. 150 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ahta ("Cane") Song, 1st song Calling Rain to Kill Wives, 24-1265, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12388.
Digital assets in this Item (not available for download): 14-883.txt (9295 bytes) 14-883.wav (20112574 bytes) 14-883_filtered.wav (20112650 bytes)
Description: Keeling catalog note: "This cycle, also called 'tall cane' or Ahta'-amalya'e, is a long series with more plot than most, according to Kroeber. The singer strikes a double beat on a Chemehuevi basket with a stick. There is no dancing (Kroeber 1925:764)." Distributed on California Indian Music Project, Southeast region, tape 12, side A. Original cylinder 14-877. 150 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ahta ("Cane") Song, 1st song When Refused Tobacco, 24-1259, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12382.
Digital assets in this Item (not available for download): 14-877.txt (9086 bytes) 14-877.wav (19365246 bytes) 14-877_filtered.wav (19365322 bytes)
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Keeling catalog note: "This cycle, also called 'tall cane' or Ahta'-amalya'e, is a long series with more plot than most, according to Kroeber. The singer strikes a double beat on a Chemehuevi basket with a stick. There is no dancing (Kroeber 1925:764)." Distributed on California Indian Music Project, Southeast region, tape 11, side B. Original cylinder 14-847. 150 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ahta ("Cane") Song, 1st song When Sees Avimelyehweke, 24-1229, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12352.
Description: Keeling catalog note: "This cycle, also called 'tall cane' or Ahta'-amalya'e, is a long series with more plot than most, according to Kroeber. The singer strikes a double beat on a Chemehuevi basket with a stick. There is no dancing (Kroeber 1925:764)." Distributed on California Indian Music Project, Southeast region, tape 12, side A. Original cylinder 14-870. 150 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ahta ("Cane") Song, 1st song When Sees Tracks of Four wives of Sun, 24-1252, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12375.
Digital assets in this Item (not available for download): 14-870.txt (9980 bytes) 14-870.wav (18599846 bytes) 14-870_filtered.wav (18599922 bytes)
Description: Keeling catalog note: "This cycle, also called 'tall cane' or Ahta'-amalya'e, is a long series with more plot than most, according to Kroeber. The singer strikes a double beat on a Chemehuevi basket with a stick. There is no dancing (Kroeber 1925:764)." Distributed on California Indian Music Project, Southeast region, tape 12, side B. Original cylinder 14-891. 150 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ahta ("Cane") Song, 1st song When Under Blanket, 24-1273, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12396.
Digital assets in this Item (not available for download): 14-891.txt (9727 bytes) 14-891.wav (18991174 bytes) 14-891_filtered.wav (18991250 bytes)
Description: Keeling catalog note: "This cycle, also called 'tall cane' or Ahta'-amalya'e, is a long series with more plot than most, according to Kroeber. The singer strikes a double beat on a Chemehuevi basket with a stick. There is no dancing (Kroeber 1925:764)." Distributed on California Indian Music Project, Southeast region, tape 12, side B. Original cylinder 14-880. 150 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ahta ("Cane") Song, 1st song about Beaver and Other Winnings, 24-1262, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12385.
Digital assets in this Item (not available for download): 14-880.txt (9511 bytes) 14-880.wav (20724374 bytes) 14-880_filtered.wav (20724450 bytes)
Description: Keeling catalog note: "This cycle, also called 'tall cane' or Ahta'-amalya'e, is a long series with more plot than most, according to Kroeber. The singer strikes a double beat on a Chemehuevi basket with a stick. There is no dancing (Kroeber 1925:764)." Distributed on California Indian Music Project, Southeast region, tape 10, side A. Original cylinder 14-798. 150 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ahta ("Cane") Song, 1st song about Cutting Cane, 24-1180, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12303.
Digital assets in this Item (not available for download): 14-798.txt (8002 bytes) 14-798.wav (12393852 bytes) 14-798_filtered.wav (12393928 bytes)
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Keeling catalog note: "For musical transcription see Kroeber papers (Carton 10)." Keeling catalog note: "This cycle, also called 'tall cane' or Ahta'-amalya'e, is a long series with more plot than most, according to Kroeber. The singer strikes a double beat on a Chemehuevi basket with a stick. There is no dancing (Kroeber 1925:764)." Distributed on California Indian Music Project, Southeast region, tape 13, side A. Original cylinder 14-902. 150 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ahta ("Cane") Song, 1st song about Gambling with Dice, 24-1284, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12407.
Description: Keeling catalog note: "This cycle, also called 'tall cane' or Ahta'-amalya'e, is a long series with more plot than most, according to Kroeber. The singer strikes a double beat on a Chemehuevi basket with a stick. There is no dancing (Kroeber 1925:764)." Distributed on California Indian Music Project, Southeast region, tape 12, side A. Original cylinder 14-867. 150 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ahta ("Cane") Song, 1st song about Haompauve monster, 24-1249, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12372.
Digital assets in this Item (not available for download): 14-867.txt (9119 bytes) 14-867.wav (24219246 bytes) 14-867_filtered.wav (24219322 bytes)
Description: Keeling catalog note: "This cycle, also called 'tall cane' or Ahta'-amalya'e, is a long series with more plot than most, according to Kroeber. The singer strikes a double beat on a Chemehuevi basket with a stick. There is no dancing (Kroeber 1925:764)." Distributed on California Indian Music Project, Southeast region, tape 12, side B. Original cylinder 14-887. 150 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ahta ("Cane") Song, 1st song about Mother's masoxwart Bird, 24-1269, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12392.
Digital assets in this Item (not available for download): 14-887.txt (9523 bytes) 14-887.wav (20464774 bytes) 14-887_filtered.wav (20464926 bytes)
Description: Keeling catalog note: "This cycle, also called 'tall cane' or Ahta'-amalya'e, is a long series with more plot than most, according to Kroeber. The singer strikes a double beat on a Chemehuevi basket with a stick. There is no dancing (Kroeber 1925:764)." Distributed on California Indian Music Project, Southeast region, tape 13, side A. Original cylinder 14-900. 150 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ahta ("Cane") Song, 1st song about Opponents: Pukehane, Numepeta, Gwateaqwatea, and Tinyamquirocpi, 24-1282, in "The Alfred L. Kroeber collection of American Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/12405.
Digital assets in this Item (not available for download): 14-900.txt (9566 bytes) 14-900.wav (20544186 bytes) 14-900_filtered.wav (20544262 bytes)
We acknowledge with respect the Ohlone people on whose traditional, ancestral, and unceded land we work and whose historical relationships with that land continue to this day.