Extent: 34.21 linear feet (69 boxes and 1 envelope)
Historical information: George Grekoff (1923-1999) was a graduate student in linguistics at the University of California, Berkeley. Although he never completed a dissertation, he held a teaching position in linguistics and Russian at the University of Washington before pursuing a career outside the field of linguistics. However, he remained an avid scholar of Chimariko, and spent much of his spare time organizing the existing documentation of Chimariko.
Scope and content: The Papers document Grekoff's research on Chimariko and other indigenous languages of North America from the late 1950s until his death in 1999. There were no remaining speakers of Chimariko during Grekoff's lifetime, so the bulk of the collection consists of various notes and organizations of data collected by other linguists, especially John Peabody Harrington. This includes several boxes of vocabulary slips, preparatory notes for a grammar of Chimariko, and notes and unpublished articles on various other aspects of Chimariko language and culture. The collection also contains a small quantity of material on other indigenous languages of North America, including Grekoff's original field notes on Southeastern Pomo from 1957 and field notes on Nuu-chah-nulth, Skagit, and Kwak'wala from Grekoff's time at the University of Washington from 1962-1967, portions of which were collected as part of field methods courses taught by Grekoff. Grekoff's consultants were John and Effie Kelsey (SE Pomo), Odelia Hunter, Hyacinth David, and Winifred David (Nuu-chah-nulth), and Louise George (Kwak'wala).
Repository: Survey of California and Other Indian Languages
Preferred citation: George Grekoff. George Grekoff Papers on the Chimariko Language, Grekoff, Survey of California and Other Indian Languages, University of California, Berkeley, http://dx.doi.org/doi:10.7297/X2NC5Z4H.
Historical information: Jesse O. Sawyer (1918-1986) received his Ph.D. in English and Linguistics at the University of California, Berkeley in 1955. From 1957-1962 he was the director of the English Program for Foreign Students in the Department of Speech at UC Berkeley, then a Senior Lecturer in linguistics from 1962 until his death in 1986. From 1961 onwards he was also the Director of UC Berkeley's Language Lab, now the Berkeley Language Center. Over the course of his career he worked on a variety of topics related to the indigenous languages of California, especially the documentation of Wappo in close cooperation with speaker Laura Fish Somersal.
Scope and content: The Papers document Sawyer's nearly three decades of research on indigenous languages of California, especially members of the Yukian family. The collection includes Wappo field notes collected from the late 1950s to the 1980s and derived materials such as vocabulary files and descriptive and comparative articles. His principal Wappo consultant was Laura Fish Somersal, with additional data provided by Jack Wobo. Sawyer's Yuki consultants were Minnie Fulwider, Arthur Anderson, and Leland Fulwider. The collection also includes Sawyer's notes and linguistic data from other languages of California taken from various published and unpublished sources.
Repository: Survey of California and Other Indian Languages
Preferred citation: Laura Somersal and Jesse O. Sawyer. Jesse O. Sawyer Papers on Yukian Languages, Sawyer, Survey of California and Other Indian Languages, University of California, Berkeley, http://dx.doi.org/doi:10.7297/X2PC309Q.
Associated materials: Audio recordings associated with the Papers are in the Berkeley Language Center, Berkeley, California (LA 56, LA 88, LA 90, LA 102).
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: . Miscellaneous sound recordings from the Phoebe A. Hearst Museum of Anthropology, PHM MISC, Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/collection/11078.
Historical information: Robert Louis Oswalt, Pomoan language scholar, received his Ph.D. from the University of California, Berkeley in 1964. His fieldwork on Kashaya (Southwestern Pomo) began in 1957 and led to his dissertation, A Kashaya Grammar, and the publication of the book Kashaya Texts in 1964. Dr. Oswalt continued to work on Pomoan languages until 2005, conducting fieldwork on Kashaya, Southern Pomo, Northeastern Pomo, Northern Pomo, and Central Pomo and exploring the historical relationships within the Pomoan family. The Kashaya and Southern Pomo dictionaries that Dr. Oswalt compiled during his decades of fieldwork on those languages were never published.
Scope and content: These Papers document the linguistic work of Robert Oswalt, including his fieldwork on Pomoan languages and Yuki, Kru-Gbato, Aleut, and Bribri, his research on historical linguistics and other linguistic topics, and his professional activities. The papers include field notebooks containing vocabulary and elicited sentences for Kashaya, Southern Pomo, Northeastern Pomo, Northern Pomo and Central Pomo, with additional longer texts in Kashaya and Southern Pomo, vocabulary file slips for Kashaya, Southern Pomo, and Central Pomo, as well as notes on grammar and Pomoan cognates. His primary consultants for Kashaya were Essie Parrish and Bernice Scott Torrez, and his Kashaya consultants also included David Antone, Violet Parrish Chappelle, Gladys James Gonzales, Allen James, Herman James, Mary James, Milton (Bun) Lucas, Vana Lawson, Kate Marando, Julia Pinola Marrufo, Sidney Parrish, Laura Fish Somersall, and Vivian Wilder. His primary consultants for Southern Pomo were Elsie Allen and Elizabeth Dollar and his Southern Pomo consultants also included Olive Fulwilder Effie Mabel Luff, Lucy Andrews Macy, and Laura Fish Somersall. His Northeastern Pomo consultants included Oscar McDaniel and Sharky Moore, his Northern Pomo consultants included Annie Lake and Edna Guerrero, and his Central Pomo consultants included Salome Bartlett Alcantra, Frank Luff, and Clara Williams. He conducted Aleut fieldwork with consultant Kathryn Seller and Bribri fieldwork with consultant Guillermina Nelson-Rodrigues. His consultants for Yuki included Arthur Anderson and Bill Frank. The Papers include oral histories collected from linguist Abraham Halpern and Pomoan language consultants Essie Parrish, Elizabeth Dollar, Elsie Allen as well as photocopies of Kashaya and Southern Pomo genealogical and census records and other documents and material related to Pomoan languages, ethnography, and history. Research notes and photocopies of materials on methods for historical linguistics and several other linguistic topics are also contained in the Papers. Drafts of manuscripts and conference handouts created during Dr. Oswalt's career, including incomplete drafts of his Kashaya dictionary, are also included in the collection.
Repository: Survey of California and Other Indian Languages
Preferred citation: Elsie Allen, Elizabeth Dollar, Edna Guerrero, Achora Hanyava, Annie Lake, Milton "Bun" Lucas, Oscar McDaniel, Sharky Moore, Essie Parrish, Bernice Scott Torrez, Clara Williams, and Robert L. Oswalt. Robert Louis Oswalt Papers on Pomoan Languages, Oswalt, Survey of California and Other Indian Languages, University of California, Berkeley, http://dx.doi.org/doi:10.7297/X2C24TDG.
Associated materials: Audio recordings associated with the Papers are in the Berkeley Language Center, Berkeley, California (LA 98).
Scope and content: Linguistic field recordings: linguistic data; ethnographic data; songs; public address; additional ethnographic or ethnohistorical texts; conversation; reminiscences; untitled texts. Translation to or from English.; Digitization supported by NEH Preservation/Access Grant
Repository: Berkeley Language Center
Preferred citation: Ramon Ames and Alfred S. Hayes. The Alfred S. Hayes collection of Diegueño sound recordings, LA 64, Survey of California and Other Indian Languages, University of California, Berkeley, http://cla.berkeley.edu/collection/10015.
Scope and content: Linguistic field recordings: stories; linguistic data; songs/chants
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Constance Goddard DuBois. The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings, PHM 52, Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/collection/11052.
Scope and content: Linguistic field recordings: linguistic data, ethnographic data, discussion, reminiscences. English glosses for all.; Digitization supported by NEH Preservation/Access Grant
Repository: Berkeley Language Center
Preferred citation: Steve Ponchetti and Guy Tyler. The Guy Tyler collection of Diegueño sound recordings, LA 216, Survey of California and Other Indian Languages, University of California, Berkeley, http://cla.berkeley.edu/collection/10181.
Scope and content: Linguistic field recordings: linguistic data; untitled text. Some English glosses provided.; Digitization supported by NEH Preservation/Access Grant
Repository: Berkeley Language Center
Preferred citation: Ted Couro and James Mack Crawford Jr.. The James M. Crawford collection of Diegueño sound recordings, LA 3, Survey of California and Other Indian Languages, University of California, Berkeley, http://cla.berkeley.edu/collection/10104.
Scope and content: Linguistic field recordings: linguistic data; stories; ethnographic data; songs; additional ethnographic or ethnohistorical texts (some with Diegueño titles), conversation, reminiscences, untitled texts. Translation to or from English.; Digitization supported by NEH Preservation/Access Grant
Repository: Berkeley Language Center
Preferred citation: Ted Couro and Margaret Langdon. The Margaret Langdon collection of Diegueño sound recordings, LA 1, Survey of California and Other Indian Languages, University of California, Berkeley, http://dx.doi.org/doi:10.7297/X2MW2FBQ.
Scope and content: Linguistic field recordings: stories; linguistic data; songs/chants
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Thomas Talbot Waterman. The T.T. Waterman collection of California Indian sound recordings, PHM 71, Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/collection/11071.
Collection number: 2014-21
Relations to this collection:Jacobsen replaced by this Collection; 2018-32 derives from this Collection
Catalog history: The Materials replace SCL Jacobsen, the "William H. Jacobsen Papers on Indigenous Languages of North America"
Historical information: William H. Jacobsen (1931-2014) was born on November 15, 1931 in San Diego, CA to Cmdr. William H. Jacobsen, USN ret., and Julie Froatz Jacobsen. He graduated from Point Loma High School, San Diego, in 1949, and went on to graduate from Harvard University in 1953. Jacobsen then pursued graduate studies at the University of California, Berkeley where he engaged in fieldwork on Salinan and Washo under the auspices of the Survey of California and Other Indian Languages. While at UC Berkeley, he also worked on an early machine language translation project. He received his Doctoral Degree from UC Berkeley in 1964 with a thesis entitled “A Grammar of the Washo Language”, supervised by Mary Haas, which endures as the most complete grammar of Washo published to date. He also worked as an assistant professor of anthropology (1961-1962) and linguistics (1962-1964) at the University of Washington, spending many of his summers in Neah Bay, WA, working with Makah elders to record their language. Most of Jacobsen’s academic career was spent as a professor of linguistics at the University of Nevada, Reno where he taught for thirty years (1965-1994). Throughout his academic career Jacobsen was a prolific and versatile scholar, devising writing systems, creating materials for teaching tribal members Washo and Makah, and publishing many papers on linguistic topics. Jacobsen was an active contributor within the Americanist linguistic community not only through his research, which touched upon a diverse array of languages from Hokan to Wakashan and beyond, but also through steady correspondence and collaboration with colleagues and students. In addition to his work on indigenous languages of North America, Jacobsen was well-known for his extensive work on Basque, which he engaged in through his involvement in the Center for Basque Studies at UNR. Altogether, Jacobsen was familiar with all the main Romance languages and Sanskrit in addition to being a specialist in Washo, Makah, Salinan, Nez Perce, Nootkan, and Basque. He served as president of the Society for the Study of Indigenous Languages of the Americas, received the Outstanding Researcher Award from the University of Nevada, and received the Nevada Humanities Award. Jacobsen officially retired from UNR in 1994 but continued to engage with the linguistics community as an emeritus professor. Jacobsen passed away on August 18, 2014 in Reno, NV, at age 82.
Scope and content: These materials document the linguistic work of William H. Jacobsen on various indigenous languages of North America, especially Washo, Makah, and Salinan, as well as on other languages and linguistic topics Jacobsen came into contact with throughout his academic career. The collection includes Jacobsen’s original field notebooks from work on Washo, Makah, and Salinan, as well as smaller aggregates of field notes on Diegueño, Northern Paiute, Kwak’wala, and Cowichan. In addition to original field notes, the collection includes derived research notes; many of these derived materials were organized by Jacobsen into separate folders by topic, and have been catalogued as they were found in order to reflect Jacobsen’s own organization. These research notes encompass work on Washo, Makah and other Southern Wakashan languages, Salinan, Yana and other Hokan languages, other Californian languages, and other topics related to general linguistic theory. A set of finished or near-finished manuscripts and handouts is also included, in many cases constituting completed work derived from Jacobsen’s research notes. Also included are transcriptions of texts and conversations in Washo and Makah, notes from collaborative work with Grace Dangberg on Washo texts, and materials Jacobsen developed in order to teach both Washo and Makah. Original file slips from Jacobsen’s work in organizing lexical material from Washo, Makah, Salinan, comparative Wakashan and Hokan, and Tagalog are also included. In addition to materials from Jacobsen’s original fieldwork and research, the collection includes a wealth of materials that Jacobsen obtained from other researchers. These obtained materials include an extensive collection of original Washo field notebooks originally belonging to Grace Dangberg, Gordon Marsh, Walter Dyk, Phillip Barker and William Shipley, and Brooke Mordy. In addition, the collection includes file slips and derived field notes from various sources. On Washo, these materials include Gordon Marsh’s file slips, research notes from Grace Dangberg and Walter Dyk, and photocopies of various vocabulary lists obtained from the Smithsonian Institution; on Wakashan, this includes a set of file slips from an unknown source; and on Yana, this includes a variety of research notes and a box of file slips obtained from Bruce Nevin, along with various photocopied materials on Yana obtained from museums. Other obtained materials include derived work on Washo texts by Brooke Mordy and on Yahi by T. T. Waterman, a collection of rare, unpublished, or difficult to obtain manuscripts concerning various North American indigenous languages, and published curricular materials on Washo and Makah. Various materials related to Jacobsen’s academic, scholarly, and teaching activities are catalogued as a separate series in the collection, in addition to being scattered throughout Jacobsen’s research notes. Finally, the collection includes a set of sound recordings that were discovered in Jacobsen’s possession but are not otherwise catalogued in earlier CLA collections. These recordings include recordings of Washo, Makah, Bella Coola, Ibo, Abaza, and at least one other unidentified language; some of the recordings were made by Jacobsen with various identified consultants, while others were obtained from colleagues including Brooke Mordy, Laura Fillmore, and Warren d’Azevedo, among possible others.
Repository: Survey of California and Other Indian Languages
Preferred citation: William H. Jacobsen. William H. Jacobsen Materials on Indigenous Languages of North America, 2014-21, Survey of California and Other Indian Languages, University of California, Berkeley, http://dx.doi.org/doi:10.7297/X2028PGT.
Associated materials: Audio recordings associated with the Materials can be accessed online through the California Language Archive. In particular, audio recordings are located in The William H. Jacobsen, Jr. collection of Antoniaño Salinan sound recordings (LA 69), The William H. Jacobsen, Jr. collection of Washo sound recordings (LA 53), and the William H. Jacobsen, Jr. collection of Makah sound recordings (LA 52).
Description: Museum catalog note: "Words by Antonio." Keeling catalog note: "The dance is described in Waterman (1910:320-325)." Distributed on California Indian Music Project, South region, tape 2, side A. Original cylinder 14-694. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "War" Dance (Horloi) Song, 24-1046, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14498.
Digital assets in this Item (not available for download): 14-694.txt (7457 bytes) 14-694.wav (8485530 bytes) 14-694_filtered.wav (8485606 bytes)
Description: Keeling catalog note: "Note in the 14-Catalogue states that the informant thought that this item and the [previous (24-1117) were in Luiseno and that their meaning was unknown to him. The dance is described in Waterman (1910:320-325)." Distributed on California Indian Music Project, South region, tape 3, side B. Original cylinder 14-737b. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "War" Dance (Horloi) Song, 24-1118, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14570.
Digital assets in this Item (not available for download): 14-737.txt (8847 bytes) 14-737b.wav (5999732 bytes) 14-737b_filtered.wav (5999808 bytes)
Description: Museum (14- Catalogue) note: "Second part 'War' dance song." Keeling catalog note: "The dance is described in Waterman (1910:320-325)." Distributed on California Indian Music Project, South region, tape 2, side A. Original cylinder 14-693b. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "War" Dance (Horloi) Song, 24-1045, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14497.
Digital assets in this Item (not available for download): 14-693.txt (8886 bytes) 14-693b.wav (5956758 bytes) 14-693b_filtered.wav (5956834 bytes)
Description: Keeling catalog note: "Note in the 14-Catalogue states that the informant thought that this item and the next (24-1118) were in Luiseno and that their meaning was unknown to him. The dance is described in Waterman (1910:320-325)." Distributed on California Indian Music Project, South region, tape 3, side B. Original cylinder 14-737a. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "War" Dance (Horloi) Song, 24-1117, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14569.
Digital assets in this Item (not available for download): 14-737.txt (8847 bytes) 14-737a.wav (5653096 bytes) 14-737a_filtered.wav (5653172 bytes)
Description: Museum (14- Catalogue) note: "First part 'War' dance song." Keeling catalog note: "The dance is described in Waterman (1910:320-325)." Distributed on California Indian Music Project, South region, tape 2, side A. Original cylinder 14-693a. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "War" Dance (Horloi) Song, 24-1044, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14496.
Digital assets in this Item (not available for download): 14-693.txt (8886 bytes) 14-693a.wav (5768308 bytes) 14-693a_filtered.wav (5768384 bytes)
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Museum (14- Catalogue) note: "This is the fourth song of the 'War' dance." Keeling catalog note: "The dance is described in Waterman (1910:320-325)." Keeling catalog lists "a group of unidentified Diegueño singers" as performers. Distributed on California Indian Music Project, South region, tape 2, side A. Original cylinder 14-692a. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "War" Dance (Horloi) Song (recorded in actual context), 24-1042, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14494.
Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
Description: Museum (14- Catalogue) note: "This is the fifth song of the 'War' dance." Keeling catalog note: "The dance is described in Waterman (1910:320-325)." Keeling catalog lists "a group of unidentified Diegueño singers" as performers. Distributed on California Indian Music Project, South region, tape 2, side A. Original cylinder 14-692b. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "War" Dance (Horloi) Song (recorded in actual context), 24-1043, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14495.
Description: Museum catalog note: "Words by Antonio." Keeling catalog note: "The Fire Dance is described in Waterman (1910:320-325-328)." Distributed on California Indian Music Project, South region, tape 2, side A. Original cylinder 14-695. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: "War" or Fire Dance Song, 24-1047, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14499.
Digital assets in this Item (not available for download): 14-695.txt (6002 bytes) 14-695.wav (5276728 bytes) 14-695_filtered.wav (5276804 bytes)
Preferred citation: A Second Version of the Creation Story, LA 1.016, in "The Margaret Langdon collection of Diegueño sound recordings", Survey of California and Other Indian Languages, University of California, Berkeley, http://cla.berkeley.edu/item/17750.
Digital assets in this Item (not available for download): LA1.016.001.wav (27365496 bytes)
Preferred citation: A conversation that segues into a bird song, LA 64.027, in "The Alfred S. Hayes collection of Diegueño sound recordings", Survey of California and Other Indian Languages, University of California, Berkeley, http://cla.berkeley.edu/item/17718.
Preferred citation: A made up story. Topic possibly relates to basket materials and gathering acorns., LA 1.019, in "The Margaret Langdon collection of Diegueño sound recordings", Survey of California and Other Indian Languages, University of California, Berkeley, http://cla.berkeley.edu/item/17753.
Digital assets in this Item (not available for download): LA1.019.001.wav (17704410 bytes)
Preferred citation: Account of Mission Indian Federation, LA 64.039, in "The Alfred S. Hayes collection of Diegueño sound recordings", Survey of California and Other Indian Languages, University of California, Berkeley, http://cla.berkeley.edu/item/17730.
Description: Keeling catalog note: "Song text and translation in Waterman (1910:290)." Distributed on California Indian Music Project, South region, tape 3, side A. Original cylinder 14-729. 160 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Bad Song, Song about Dead People, 24-1102, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14554.
Digital assets in this Item (not available for download): 14-729.txt (8356 bytes) 14-729.wav (10331860 bytes) 14-729_filtered.wav (10331936 bytes)
Description: Keeling catalog note: "'Bad Songs' are sung in the context of the girls' adolescence ceremony (Waterman 1910:290-293). The text of this song was intended to insult a group from San Diego who had come to participate in a festival without having been invited. The text is transcribed and translated there also (ibid. 291)." Distributed on California Indian Music Project, South region, tape 3, side A. Original cylinder 14-728. 160 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Bad Song, They Thought Themselves Relatives of Ours, 24-1101, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14553.
Digital assets in this Item (not available for download): 14-728.txt (8199 bytes) 14-728.wav (12073300 bytes) 14-728_filtered.wav (12073376 bytes)
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Bird Dance Song, I Am Crying, 24-1086, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14538.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Bird Dance Song, Running Song, 24-1094, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14546.
Digital assets in this Item (not available for download): 14-721.txt (8352 bytes) 14-721b.wav (5266232 bytes) 14-721b_filtered.wav (5323908 bytes)
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Bird Dance Song, Shadow Song, 24-1087, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14539.
Digital assets in this Item (not available for download): 14-718.txt (5330 bytes) 14-718.wav (4384544 bytes) 14-718_filtered.wav (4384620 bytes)
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Bird Dance Song, Song of the Bird of the North, 24-1084, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14536.
Digital assets in this Item (not available for download): 14-716.txt (7821 bytes) 14-716.wav (10599140 bytes) 14-716_filtered.wav (10599216 bytes)
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Bird Dance Song, Song of the Birds at Sunset, 24-1091, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14543.
Digital assets in this Item (not available for download): 14-720.txt (7963 bytes) 14-720a.wav (4611170 bytes) 14-720a_filtered.wav (4611246 bytes)
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Bird Dance Song, Song of the Meadowlark, 24-1090, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14542.
Digital assets in this Item (not available for download): 14-719.txt (9494 bytes) 14-719c.wav (18455700 bytes) 14-719c_filtered.wav (18481284 bytes)
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Bird Dance Song, Song of the Mockingbird, 24-1089, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14541.
Digital assets in this Item (not available for download): 14-719.txt (9494 bytes) 14-719b.wav (15764756 bytes) 14-719b_filtered.wav (15712276 bytes)
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Bird Dance Song, Song of the Owl, 24-1093, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14545.
Digital assets in this Item (not available for download): 14-721.txt (8352 bytes) 14-721a.wav (5912932 bytes) 14-721a_filtered.wav (5855408 bytes)
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Bird Dance Song, Song of the Quail, 24-1088, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14540.
Digital assets in this Item (not available for download): 14-719.txt (9494 bytes) 14-719a.wav (20706084 bytes) 14-719a_filtered.wav (20732980 bytes)
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Bird Dance Song, Song of the Roadrunner, 24-1092, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14544.
Digital assets in this Item (not available for download): 14-720.txt (7963 bytes) 14-720b.wav (4604624 bytes) 14-720b_filtered.wav (4604700 bytes)
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Bird Dance Song, What Flower is This?, 24-1085, in "The T.T. Waterman collection of California Indian sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/14537.
We acknowledge with respect the Ohlone people on whose traditional, ancestral, and unceded land we work and whose historical relationships with that land continue to this day.