Historical information:Jesse O. Sawyer (1918-1986) received his Ph.D. in English and Linguistics at the University of California, Berkeley in 1955. From 1957-1962 he was the director of the English Program for Foreign Students in the Department of Speech at UC Berkeley, then a Senior Lecturer in linguistics from 1962 until his death in 1986. From 1961 onwards he was also the Director of UC Berkeley's Language Lab, now the Berkeley Language Center. Over the course of his career he worked on a variety of topics related to the indigenous languages of California, especially the documentation of Wappo in close cooperation with speaker Laura Fish Somersal.
Scope and content:The Papers document Sawyer's nearly three decades of research on indigenous languages of California, especially members of the Yukian family. The collection includes Wappo field notes collected from the late 1950s to the 1980s and derived materials such as vocabulary files and descriptive and comparative articles. His principal Wappo consultant was Laura Fish Somersal, with additional data provided by Jack Wobo. Sawyer's Yuki consultants were Minnie Fulwider, Arthur Anderson, and Leland Fulwider. The collection also includes Sawyer's notes and linguistic data from other languages of California taken from various published and unpublished sources.
Repository: Survey of California and Other Indian Languages
Preferred citation: Laura Somersal and Jesse O. Sawyer. Jesse O. Sawyer Papers on Yukian Languages, Sawyer, Survey of California and Other Indian Languages, University of California, Berkeley, http://dx.doi.org/doi:10.7297/X2PC309Q.
Associated materials:Audio recordings associated with the Papers are in the Berkeley Language Center, Berkeley, California (LA 56, LA 88, LA 90, LA 102).
Historical information:Robert Louis Oswalt, Pomoan language scholar, received his Ph.D. from the University of California, Berkeley in 1961. His fieldwork on Kashaya (Southwestern Pomo) began in 1957 and led to his dissertation, A Kashaya Grammar, and the publication of the book Kashaya Texts in 1964. Dr. Oswalt continued to work on Pomoan languages until 2005, conducting fieldwork on Kashaya, Southern Pomo, Northeastern Pomo, Northern Pomo, and Central Pomo and exploring the historical relationships within the Pomoan family. The Kashaya, Southern Pomo, and Central Pomo dictionaries that Dr. Oswalt compiled during his decades of fieldwork on those languages were never published.
Scope and content:These Papers document the linguistic work of Robert Oswalt, including his fieldwork on Pomoan languages and Yuki, Kru-Gbato, Aleut, and Bribri, his research on historical linguistics and other linguistic topics, and his professional activities. The papers include field notebooks containing vocabulary and elicited sentences for Kashaya, Southern Pomo, Northeastern Pomo, Northern Pomo and Central Pomo, with additional longer texts in Kashaya and Southern Pomo, vocabulary file slips for Kashaya, Southern Pomo, and Central Pomo, as well as notes on grammar and Pomoan cognates. His primary consultants for Kashaya were Essie Parrish and Bernice Scott Torrez, and his Kashaya consultants also included David Antone, Violet Parrish Chappelle, Gladys James Gonzales, Allen James, Herman James, Mary James, Milton (Bun) Lucas, Vana Lawson, Kate Marando, Julia Pinola Marrufo, Sidney Parrish, and Vivian Wilder. His primary consultants for Southern Pomo were Elsie Allen and Elizabeth Dollar and his Southern Pomo consultants also included Olive Fulwilder Effie Mabel Luff, Lucy Andrews Macy, and Laura Fish Somersall. His Northeastern Pomo consultants included Oscar McDaniel and Sharky Moore, his Northern Pomo consultants included Annie Lake and Edna Guerrero, and his Central Pomo consultants included Salome Bartlett Alcantra, Frank Luff, and Clara Williams. He conducted Aleut fieldwork with consultant Kathryn Seller and Bribri fieldwork with consultant Guillermina Nelson-Rodrigues. His consultants for Yuki included Arthur Anderson and Bill Frank. The Papers include oral histories collected from linguist Abraham Halpern and Pomoan language consultants Essie Parrish, Elizabeth Dollar, Elsie Allen as well as photocopies of Kashaya and Southern Pomo genealogical and census records and other documents and material related to Pomoan languages, ethnography, and history. Research notes and photocopies of materials on methods for historical linguistics and several other linguistic topics are also contained in the Papers. Drafts of manuscripts and conference handouts created during Dr. Oswalt's career, including incomplete drafts of his Kashaya dictionary, are also included in the collection.
Repository: Survey of California and Other Indian Languages
Preferred citation: Elsie Allen, Elizabeth Dollar, Edna Guerrero, Achora Hanyava, Annie Lake, Milton "Bun" Lucas, Oscar McDaniel, Sharky Moore, Essie Parrish, Bernice Scott Torrez, Clara Williams, and Robert L. Oswalt. Robert Louis Oswalt Papers on Pomoan Languages, Oswalt, Survey of California and Other Indian Languages, University of California, Berkeley, http://dx.doi.org/doi:10.7297/X2C24TDG.
Associated materials:Audio recordings associated with the Papers are in the Berkeley Language Center, Berkeley, California (LA 98).
Scope and content:Linguistic field recordings: stories; linguistic data; songs/chants
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Constance Goddard DuBois. The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings, PHM 52, Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/collection/11052.
Collection number: 2014-21
Relations to this Collection:2018-32 derives from this Collection
Catalog history:The Materials replace SCL Jacobsen, the "William H. Jacobsen Papers on Indigenous Languages of North America"
Historical information:William H. Jacobsen (1931-2014) was born on November 15, 1931 in San Diego, CA to Cmdr. William H. Jacobsen, USN ret., and Julie Froatz Jacobsen. He graduated from Point Loma High School, San Diego, in 1949, and went on to graduate from Harvard University in 1953. Jacobsen then pursued graduate studies at the University of California, Berkeley where he engaged in fieldwork on Salinan and Washo under the auspices of the Survey of California and Other Indian Languages. While at UC Berkeley, he also worked on an early machine language translation project. He received his Doctoral Degree from UC Berkeley in 1964 with a thesis entitled “A Grammar of the Washo Language”, supervised by Mary Haas, which endures as the most complete grammar of Washo published to date. He also worked as an assistant professor of anthropology (1961-1962) and linguistics (1962-1964) at the University of Washington, spending many of his summers in Neah Bay, WA, working with Makah elders to record their language. Most of Jacobsen’s academic career was spent as a professor of linguistics at the University of Nevada, Reno where he taught for thirty years (1965-1994). Throughout his academic career Jacobsen was a prolific and versatile scholar, devising writing systems, creating materials for teaching tribal members Washo and Makah, and publishing many papers on linguistic topics. Jacobsen was an active contributor within the Americanist linguistic community not only through his research, which touched upon a diverse array of languages from Hokan to Wakashan and beyond, but also through steady correspondence and collaboration with colleagues and students. In addition to his work on indigenous languages of North America, Jacobsen was well-known for his extensive work on Basque, which he engaged in through his involvement in the Center for Basque Studies at UNR. Altogether, Jacobsen was familiar with all the main Romance languages and Sanskrit in addition to being a specialist in Washo, Makah, Salinan, Nez Perce, Nootkan, and Basque. He served as president of the Society for the Study of Indigenous Languages of the Americas, received the Outstanding Researcher Award from the University of Nevada, and received the Nevada Humanities Award. Jacobsen officially retired from UNR in 1994 but continued to engage with the linguistics community as an emeritus professor. Jacobsen passed away on August 18, 2014 in Reno, NV, at age 82.
Scope and content:These materials document the linguistic work of William H. Jacobsen on various indigenous languages of North America, especially Washo, Makah, and Salinan, as well as on other languages and linguistic topics Jacobsen came into contact with throughout his academic career. The collection includes Jacobsen’s original field notebooks from work on Washo, Makah, and Salinan, as well as smaller aggregates of field notes on Diegueño, Northern Paiute, Kwak’wala, and Cowichan. In addition to original field notes, the collection includes derived research notes; many of these derived materials were organized by Jacobsen into separate folders by topic, and have been catalogued as they were found in order to reflect Jacobsen’s own organization. These research notes encompass work on Washo, Makah and other Southern Wakashan languages, Salinan, Yana and other Hokan languages, other Californian languages, and other topics related to general linguistic theory. A set of finished or near-finished manuscripts and handouts is also included, in many cases constituting completed work derived from Jacobsen’s research notes. Also included are transcriptions of texts and conversations in Washo and Makah, notes from collaborative work with Grace Dangberg on Washo texts, and materials Jacobsen developed in order to teach both Washo and Makah. Original file slips from Jacobsen’s work in organizing lexical material from Washo, Makah, Salinan, comparative Wakashan and Hokan, and Tagalog are also included. In addition to materials from Jacobsen’s original fieldwork and research, the collection includes a wealth of materials that Jacobsen obtained from other researchers. These obtained materials include an extensive collection of original Washo field notebooks originally belonging to Grace Dangberg, Gordon Marsh, Walter Dyk, Phillip Barker and William Shipley, and Brooke Mordy. In addition, the collection includes file slips and derived field notes from various sources. On Washo, these materials include Gordon Marsh’s file slips, research notes from Grace Dangberg and Walter Dyk, and photocopies of various vocabulary lists obtained from the Smithsonian Institution; on Wakashan, this includes a set of file slips from an unknown source; and on Yana, this includes a variety of research notes and a box of file slips obtained from Bruce Nevin, along with various photocopied materials on Yana obtained from museums. Other obtained materials include derived work on Washo texts by Brooke Mordy and on Yahi by T. T. Waterman, a collection of rare, unpublished, or difficult to obtain manuscripts concerning various North American indigenous languages, and published curricular materials on Washo and Makah. Various materials related to Jacobsen’s academic, scholarly, and teaching activities are catalogued as a separate series in the collection, in addition to being scattered throughout Jacobsen’s research notes. Finally, the collection includes a set of sound recordings that were discovered in Jacobsen’s possession but are not otherwise catalogued in earlier CLA collections. These recordings include recordings of Washo, Makah, Bella Coola, Ibo, Abaza, and at least one other unidentified language; some of the recordings were made by Jacobsen with various identified consultants, while others were obtained from colleagues including Brooke Mordy, Laura Fillmore, and Warren d’Azevedo, among possible others.
Repository: Survey of California and Other Indian Languages
Preferred citation: William H. Jacobsen. William H. Jacobsen Materials on Indigenous Languages of North America, 2014-21, Survey of California and Other Indian Languages, University of California, Berkeley, http://dx.doi.org/doi:10.7297/X2028PGT.
Associated materials:Audio recordings associated with the Materials can be accessed online through the California Language Archive. In particular, audio recordings are located in The William H. Jacobsen, Jr. collection of Antoniaño Salinan sound recordings (LA 69), The William H. Jacobsen, Jr. collection of Washo sound recordings (LA 53), and the William H. Jacobsen, Jr. collection of Makah sound recordings (LA 52).
Availability: Digital content is not available. Please write to pahma-mediapermissions@berkeley.edu. Please specify as much information as possible about the recordings you are interested in, including the Item number (24-952).
Description:Keeling catalog note: "Anut is the large ant once used in the Luiseno Ant Ordeal, but since this custom has long been discontinued, the song has become a hunting song. DuBois notes that this ceremony was done in very ancient times and long since discontinued. Songs such as this were later use in the Wukunish Ceremony (DuBois 1908a:118)." Distributed on California Indian Music Project, South region, tape 1, side B. Original cylinder 14-411. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Anut Song, 24-952, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13990.
Availability: Online access to Item number 24-928 by request.
Description:Keeling catalog note: "Anut is the large ant once used in the Luiseno Ant Ordeal, but since this custom has long been discontinued, the song has become a hunting song. The text is described in DuBois (1908a:112). The Anut Ordeal is discussed in DuBois (ibid., pp. 91-93) and Kroeber (1925:672)." Distributed on California Indian Music Project, South region, tape 1, side A. Original cylinder 14-387. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Anut Song, 24-928, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13966.
Digital assets in this Item (not available for download): 14-387.txt (8088 bytes) 14-387.wav (9907930 bytes) 14-387_filtered.wav (9908006 bytes)
Availability: Online access to Item number 24-955 by request.
Description:Keeling catalog note: "Ashish ('menses') songs were used in Wukunish, the Girls' Ceremony. A description of the text and a musical transcription in DuBois (1908a:120)." Distributed on California Indian Music Project, South region, tape 1, side B. Original cylinder 14-414. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ashish Song, 24-955, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13993.
Digital assets in this Item (not available for download): 14-414.txt (8073 bytes) 14-414.wav (10066862 bytes) 14-414_filtered.wav (10066938 bytes)
Availability: Online access to Item number 24-951 by request.
Description:Keeling catalog note: "Ashish ('menses') songs were used in Wukunish, the Girls' Ceremony. The text is described in DuBois (1908a:118). For musical transcription (by Kretschmer) see Kroeber Papers (Carton 10)." Distributed on California Indian Music Project, South region, tape 1, side B. Original cylinder 14-410. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ashish Song, 24-951, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13989.
Digital assets in this Item (not available for download): 14-410.txt (9104 bytes) 14-410.wav (9429102 bytes) 14-410_filtered.wav (9429178 bytes)
Availability: Online access to Item number 24-956 by request.
Description:Keeling catalog note: "DuBois states: 'The men's and women's songs are about the same, but the tunes are different. This song mentions the hill where the rock is painted after the conclusion of the ceremony' (1908a:121)." Distributed on California Indian Music Project, South region, tape 2, side A. Original cylinder 14-415. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ashish Song (Women's Song), 24-956, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13994.
Digital assets in this Item (not available for download): 14-415.txt (8217 bytes) 14-415.wav (10135262 bytes) 14-415_filtered.wav (10135338 bytes)
Description:Twelve pamphlets on topics related to the history, ethnography, and biography of California Indians. Issued by the Book Club of California. Includes undated letter to Sawyer from Jack Werner Stauffacher of Greenwood Press.
Repository: Survey of California and Other Indian Languages
Preferred citation: California Indian keepsakes, Sawyer.105, in "Jesse O. Sawyer Papers on Yukian Languages", Survey of California and Other Indian Languages, University of California, Berkeley, http://cla.berkeley.edu/item/2597.
Availability: Online access to Item number 24-925 by request.
Description:Keeling catalog note: "Original cylinder was in bad condition and not transferred to tape during 1975 project. The Chatish songs (series) are songs of wizards or hechiceros: secret, individual songs either passed down in the family or composed by the singer. The text of this song begins with the words (in translation), 'From my feet, from my hands, I drew forth (objects)' (DuBois 1908a:110-111). It refers to the custom of shaman's extracting things (acorns, rabbits, little snakes, or frogs, for example) from various parts of thier bodies during dances to demonstrate thier power (ibid.)." Distributed on California Indian Music Project, South region, tape 1, side A. Original cylinder 14-384.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Chatish Song, 24-925, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13963.
Digital assets in this Item (not available for download): 14-384.txt (8407 bytes) 14-384.wav (10055130 bytes) 14-384_filtered.wav (10055206 bytes)
Availability: Online access to Item number 24-927 by request.
Description:Keeling catalog note: "The text and use of such songs to hurt or kill people, even at a distance of may miles, is described in DuBois (1908a:111)." Distributed on California Indian Music Project, South region, tape 1, side A. Original cylinder 14-386. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Chatish Song, (Something within) shoots off an invisible power, 24-927, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13965.
Digital assets in this Item (not available for download): 14-386.txt (9333 bytes) 14-386.wav (11767022 bytes) 14-386_filtered.wav (11767098 bytes)
Availability: Online access to Item number 24-929 by request.
Description:Keeling catalog note: "Towit, the thick mist that comes before rain, is said to be coming in this song. DuBois states: 'This is a Chungichnish song of plenty. One man will dance while another sings. It may also be sung as an individual song in the Image ceremony' (1908a:112). The Image Ceremony is described there also (ibid., pp. 100-103). The Chatish songs (series) are songs of wizards or hechiceros: secret, individual songs either passed down in the family or composed by the singer. The text of this song begins with the words (in translation), 'From my feet, from my hands, I drew forth (objects)' (ibid., 110-111). It refers to the custom of shaman's extracting things (acorns, rabbits, little snakes, or frogs, for example) from various parts of thier bodies during dances to demonstrate thier power (ibid.)." Distributed on California Indian Music Project, South region, tape 1, side A. Original cylinder 14-388. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Chatish Song, It is coming to me, 24-929, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13967.
Digital assets in this Item (not available for download): 14-388.txt (8124 bytes) 14-388.wav (10144328 bytes) 14-388_filtered.wav (10144404 bytes)
Availability: Digital content is not available. Please write to pahma-mediapermissions@berkeley.edu. Please specify as much information as possible about the recordings you are interested in, including the Item number (24-926).
Description:Keeling catalog note: "Original cylinder was in bad condition and not transferred to tape during 1975 project. Text and use of such songs to influence weather and crops is discussed in DuBois (1908a:111)." Distributed on California Indian Music Project, South region, tape 1, side A. Original cylinder 14-385.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Chatish Song, It thundered, 24-926, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13964.
Availability: Online access to Item number 24-945 by request.
Description:Keeling catalog note: "Cuevas stated that he learned this song from a man named llario, from a place called Los Flores, some fifty years before this recording. It is in '(a) language of the coast, now extinct' (DuBois 1908a:117)." Distributed on California Indian Music Project, South region, tape 1, side B. Original cylinder 14-404. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Chungichnish Song, 24-945, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13983.
Digital assets in this Item (not available for download): 14-404.txt (5709 bytes) 14-404.wav (6704046 bytes) 14-404_filtered.wav (6704046 bytes)
Availability: Online access to Item number 24-930 by request.
Description:Keeling catalog note: "This song was sung in the ceremony for healing a man punished by Chungichnish. For further notes on use of song and text see DuBois (1908a:112-113). Musical transcription (by Kretschmer) and analytical notes among Kroeber Papers (Carton 10)." Distributed on California Indian Music Project, South region, tape 1, side A. Original cylinder 14-389. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Chungichnish Song, 24-930, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13968.
Digital assets in this Item (not available for download): 14-389.txt (7270 bytes) 14-389.wav (7457370 bytes) 14-389_filtered.wav (7457446 bytes)
Availability: Digital content is not available. Please write to pahma-mediapermissions@berkeley.edu. Please specify as much information as possible about the recordings you are interested in, including the Item number (24-931).
Description:Distributed on California Indian Music Project, South region, tape 1, side A. Original cylinder 14-390. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Chungichnish Song, 24-931, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13969.
Availability: Online access to Item number 24-920 by request.
Description:Keeling catalog note: "The Kwinamish series, known collectively as 'Songs of the Spirit' is described in DuBois, as is the text of this song (1908a:109)." Distributed on California Indian Music Project, South region, tape 1, side A. Original cylinder 14-379. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: First song of Kwinamish, 24-920, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13958.
Digital assets in this Item (not available for download): 14-379.txt (8492 bytes) 14-379.wav (10556462 bytes) 14-379_filtered.wav (10556538 bytes)
Availability: Online access to Item number 24-923 by request.
Description:Keeling catalog note: "Text is described in DuBois (1908a:110). Musical transcription (by Kretschmer) and analytical notes among Kroeber Papers (Carton 10)." Distributed on California Indian Music Project, South region, tape 1, side A. Original cylinder 14-382. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Fourth Song of Kinamish, At the time of death I was very much surprised, 24-923, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13961.
Digital assets in this Item (not available for download): 14-382.txt (8447 bytes) 14-382.wav (10410862 bytes) 14-382_filtered.wav (10410938 bytes)
Availability: Online access to Item number 24-937 by request.
Description:Keeling catalog note: "In discussion of the Munival series DuBois (1908a:110) states: 'The Munival songs are individual and inherited. They describe the exact route of the Temecula people, ancestors to the singer, and the landmarks made by each to claim title to places in thier migrations.' The text of 24-937 is described in DuBois (1908a:115)." Distributed on California Indian Music Project, South region, tape 1, side B. Original cylinder 14-396. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Munival Song, 24-937, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13975.
Digital assets in this Item (not available for download): 14-396.txt (7037 bytes) 14-396.wav (6030170 bytes) 14-396_filtered.wav (6030246 bytes)
Availability: Digital content is not available. Please write to pahma-mediapermissions@berkeley.edu. Please specify as much information as possible about the recordings you are interested in, including the Item number (24-948).
Description:Keeling catalog note: "Original cylinder broken and duplicate not recorded. In discussion of the Munival series DuBois (1908a:110) states: 'The Munival songs are individual and inherited. They describe the exact route of the Temecula people, ancestors to the singer, and the landmarks made by each to claim title to places in thier migrations.' Text commentary in DuBois (1908a:117)." Distributed on California Indian Music Project, South region, tape 1, side B. Original cylinder 14-407.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Munival Song, 24-948, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13986.
Availability: Online access to Item number 24-942 by request.
Description:Keeling catalog note: "This is a song of the Pikmakvuul series, Songs of Death. Such examples as this ... are sung towards the beginning of the Image Ceremony, while mourners are burning clothes. Here Ouiot enumerates the 'months' in each of which he expects to die (DuBois 1908a:117)." Distributed on California Indian Music Project, South region, tape 1, side B. Original cylinder 14-401. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ouiot Song, 24-942, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13980.
Digital assets in this Item (not available for download): 14-401.txt (9151 bytes) 14-401.wav (11228036 bytes) 14-401_filtered.wav (11228188 bytes)
Availability: Online access to Item number 24-940 by request.
Description:Keeling catalog note: "DuBois provides a description of the text, a musical transcription, and information about the performer (1908a:116-117). Musical transcription (by Kretschmer) among Kroeber Papers (Carton 10). This is a song of the Pikmakvuul series, Songs of Death. Such examples as this and the next item (24-941) are sung towards the beginning of the Image Ceremony, while mourners are burning clothes." Distributed on California Indian Music Project, South region, tape 1, side B. Original cylinder 14-399. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ouiot Song, 24-940, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13978.
Digital assets in this Item (not available for download): 14-399.txt (8464 bytes) 14-399.wav (11149742 bytes) 14-399_filtered.wav (11149818 bytes)
Availability: Online access to Item number 24-941 by request.
Description:Keeling catalog note: "This is a song of the Pikmakvuul series, Songs of Death. Such examples as this ... are sung towards the beginning of the Image Ceremony, while mourners are burning clothes. The text for 24-941 consists of Ouiot's advice to his people when he was dying (DuBois 1908a:117)." Distributed on California Indian Music Project, South region, tape 1, side B. Original cylinder 14-400. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ouiot Song, 24-941, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13979.
Digital assets in this Item (not available for download): 14-400.txt (8500 bytes) 14-400.wav (10683716 bytes) 14-400_filtered.wav (10683792 bytes)
Availability: Online access to Item number 24-943 by request.
Description:Keeling catalog note: "Sung while they are burning images (DuBois 1908a:105)." Distributed on California Indian Music Project, South region, tape 1, side B. Original cylinder 14-402. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Ouiot Song, 24-943, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13981.
Digital assets in this Item (not available for download): 14-402.txt (6661 bytes) 14-402.wav (6666436 bytes) 14-402_filtered.wav (6666512 bytes)
Availability: Online access to Item number 24-932 by request.
Description:KC*: "Textual commentary in DuBois (1908a:113). Musical transcription (by Kretschmer) and analytical notes among Kroeber Papers (Carton 10)." Distributed on California Indian Music Project, South region, tape 1, side A. Original cylinder 14-391. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Recitative by Eagle (part of the story of Ouiot), 24-932, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13970.
Digital assets in this Item (not available for download): 14-391.txt (8537 bytes) 14-391.wav (11233476 bytes) 14-391_filtered.wav (11233552 bytes)
Availability: Online access to Item number 24-934 by request.
Description:Keeling catalog note: "DuBois states that this was used in the Image Ceremony (1908a:114). The Image Ceremony is described in DuBois (ibid., pp. 100-103), Kroeber (1925:675) and Sparkman (1908:227)." Distributed on California Indian Music Project, South region, tape 1, side B. Original cylinder 14-393. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Recitative by Ouiot, 24-934, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13972.
Digital assets in this Item (not available for download): 14-393.txt (7597 bytes) 14-393.wav (8816622 bytes) 14-393_filtered.wav (8816698 bytes)
Description:A preliminary draft of a paper on relativization and related linguistic phenomena in the Cupan languages. (The digital files associated with this Item include a series of scanned images from original physical objects. These images are aggregated at lower resolution in the file JacobsR.002.pdf. The original full resolution scans are collected in JacobsR.002.zip. Metadata pertaining to each scanned image is compiled in the tab-separated text file JacobsR.002-image_metadata.txt.)
Collection: Miscellaneous papers from the Survey of California and Other Indian Languages
Repository: Survey of California and Other Indian Languages
Preferred citation: Relativization and related matters in the Cupan languages, JacobsR.002, in "Miscellaneous papers from the Survey of California and Other Indian Languages", Survey of California and Other Indian Languages, University of California, Berkeley, http://cla.berkeley.edu/item/14915.
Availability: Online access to Item number 24-921 by request.
Description:Keeling catalog note: "Text is described in DuBois (1908a:109)." Distributed on California Indian Music Project, South region, tape 1, side A. Original cylinder 14-380. 180 speed.
Repository: Phoebe A. Hearst Museum of Anthropology
Preferred citation: Second Song of Kwinamish North the Spirit Remains, 24-921, in "The Constance Goddard DuBois collection of Diegueño and Luiseño sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/13959.
Digital assets in this Item (not available for download): 14-380.txt (8426 bytes) 14-380.wav (10626062 bytes) 14-380_filtered.wav (10626138 bytes)
We acknowledge with respect the Ohlone people on whose traditional, ancestral, and unceded land we work and whose historical relationships with that land continue to this day.