• Collection number: PHM32
    • Primary contributors: Lloyd Marcus (consultant), Joe Patencio (consultant), Richard Lando (researcher)
    • Language: Cahuilla (chl)
    • Dates: 1969
    • Scope and content: Linguistic field recordings: songs/chants
    • Repository: Phoebe A. Hearst Museum of Anthropology
    • Preferred citation: Lloyd Marcus, Joe Patencio, and Richard Lando. The Richard Lando collection of Cahuilla sound recordings, PHM 32, Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/collection/11032.

1 - 4 of 4 results

    • Item number: 24-334
    • Date: 1969 May
    • Contributors: Lloyd Marcus (consultant), Joe Patencio (consultant), Richard Lando (researcher)
    • Language: Cahuilla (chl)
    • Availability: Digital content is not available. Please write to pahma-mediapermissions@berkeley.edu.
    • Description: his recording features the Morongo (Reservation) team, led by Lloyd Marcus, and the Soboba team, led by Joe Patencio (with the Salgado family). The tape was orginially recorded half-track at 7.5 ips (one side only about 30 minutes). Titles and other descriptive notes have been provided in a four-page typescript by Lando (See accession file #2598). Distributed on California Indian Music Project, South region, tape 6, side A.
    • Collection: The Richard Lando collection of Cahuilla sound recordings
    • Repository: Phoebe A. Hearst Museum of Anthropology
    • Preferred citation: Cahuilla Peon Game Songs, 24-334, in "The Richard Lando collection of Cahuilla sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/11949.
    • Item number: 24-335
    • Date: 1969 May
    • Contributors: Lloyd Marcus (consultant), Joe Patencio (consultant), Richard Lando (researcher)
    • Language: Cahuilla (chl)
    • Availability: Digital content is not available. Please write to pahma-mediapermissions@berkeley.edu.
    • Description: This Peon game singing features the Morongo (Reservation) team, led by Lloyd Marcus, against the Soboba team, led by Joe Patencio (with the Salgado family). The Bird songs are led by Joe Patencio of Agua Caliente (near Palm Springs). Titles and other descriptive notes have been provided in a four-page typescript by Lando (See accession file #2598). Lando's notes include a diagram of the Bird Dance and the following descriptive comments: "This is a song cycle of the Cahuillas; probably some are derived from the Mojave, if not all. They are used as social dances with no religious context. They are always accompanied by a rattle, usually filled with palm seeds. At cadences, there is often a rattle spin (Lando)." The tape was orginially recorded half-track at 7.5 ips (one side only about 30 minutes). Distributed on California Indian Music Project, South region, tape 6, side B.
    • Collection: The Richard Lando collection of Cahuilla sound recordings
    • Repository: Phoebe A. Hearst Museum of Anthropology
    • Preferred citation: Cahuilla Peon Game Songs and Bird Game songs (Wikikmal), 24-335, in "The Richard Lando collection of Cahuilla sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/11950.
    • Item number: 24-336
    • Date: 1969 May
    • Contributors: Joe Patencio (consultant), Richard Lando (researcher)
    • Language: Cahuilla (chl)
    • Availability: Digital content is not available. Please write to pahma-mediapermissions@berkeley.edu.
    • Description: The Bird songs are led by Joe Patencio of Agua Caliente (near Palm Springs). Titles and other descriptive notes have been provided in a four-page typescript by Lando (See Accession file #2598). Lando's notes include a diagram of the Bird Dance and the following descriptive comments: "This is a song cycle of the Cahuillas; probably some are derived from the Mojave, if not all. They are used as social dances with no religious context. They are always accompanied by a rattle, usually filled with palm seeds. At cadences, there is often a rattle spin (Lando)." The tape was orginially recorded half-track at 7.5 ips (one side only about 30 minutes). Distributed on California Indian Music Project, South region, tape 7, side A.
    • Collection: The Richard Lando collection of Cahuilla sound recordings
    • Repository: Phoebe A. Hearst Museum of Anthropology
    • Preferred citation: Cahuilla Bird Songs, 24-336, in "The Richard Lando collection of Cahuilla sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/11951.
    • Item number: 24-337
    • Date: 1969 May
    • Contributors: Joe Patencio (consultant), Richard Lando (researcher)
    • Language: Cahuilla (chl)
    • Availability: Digital content is not available. Please write to pahma-mediapermissions@berkeley.edu.
    • Description: Led by Joe Patencio of Agua Caliente. Titles and other descriptive notes have been provided in a four-page typescript by Lando (See Accession file #2598). Lando's notes include a diagram of the Bird Dance and the following descriptive comments: "This is a song cycle of the Cahuillas; probably some are derived from the Mojave, if not all. They are used as social dances with no religious context. They are always accompanied by a rattle, usually filled with palm seeds. At cadences, there is often a rattle spin (Lando)." The tape was orginially recorded half-track at 7.5 ips (one side only about 20 minutes). Distributed on California Indian Music Project, South region, tape 7, side B.
    • Collection: The Richard Lando collection of Cahuilla sound recordings
    • Repository: Phoebe A. Hearst Museum of Anthropology
    • Preferred citation: Cahuilla Bird Songs, 24-337, in "The Richard Lando collection of Cahuilla sound recordings", Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/11952.