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    • Collection number: PHM32
    • Primary contributor: Richard Lando (researcher)
    • Additional contributors: Lloyd Marcus (consultant), Joe Patencio (consultant)
    • Language: Cahuilla
    • Dates: 1969
    • Scope and content: Linguistic field recordings: songs/chants
    • Repository: Phoebe A. Hearst Museum of Anthropology
    • Preferred citation: The Richard Lando collection of Cahuilla sound recordings, PHM 32, Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/collection/11032
    • Access restrictions: restricted access (consult repository)

1 - 4 of 4 results

    • Item number: 24-334
    • Date: 1969 May
    • Contributors: Lloyd Marcus (consultant), Joe Patencio (consultant), Richard Lando (researcher)
    • Language: Cahuilla
    • Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
    • Description: his recording features the Morongo (Reservation) team, led by Lloyd Marcus, and the Soboba team, led by Joe Patencio (with the Salgado family). The tape was orginially recorded half-track at 7.5 ips (one side only about 30 minutes). Titles and other descriptive notes have been provided in a four-page typescript by Lando (See accession file #2598). Distributed on California Indian Music Project, South region, tape 6, side A.
    • Collection: The Richard Lando collection of Cahuilla sound recordings
    • Repository: Phoebe A. Hearst Museum of Anthropology
    • Preferred citation: Cahuilla Peon Game Songs, 24-334, Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/11949
    • Item number: 24-335
    • Date: 1969 May
    • Contributors: Lloyd Marcus (consultant), Joe Patencio (consultant), Richard Lando (researcher)
    • Language: Cahuilla
    • Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
    • Description: This Peon game singing features the Morongo (Reservation) team, led by Lloyd Marcus, against the Soboba team, led by Joe Patencio (with the Salgado family). The Bird songs are led by Joe Patencio of Agua Caliente (near Palm Springs). Titles and other descriptive notes have been provided in a four-page typescript by Lando (See accession file #2598). Lando's notes include a diagram of the Bird Dance and the following descriptive comments: "This is a song cycle of the Cahuillas; probably some are derived from the Mojave, if not all. They are used as social dances with no religious context. They are always accompanied by a rattle, usually filled with palm seeds. At cadences, there is often a rattle spin (Lando)." The tape was orginially recorded half-track at 7.5 ips (one side only about 30 minutes). Distributed on California Indian Music Project, South region, tape 6, side B.
    • Collection: The Richard Lando collection of Cahuilla sound recordings
    • Repository: Phoebe A. Hearst Museum of Anthropology
    • Preferred citation: Cahuilla Peon Game Songs and Bird Game songs (Wikikmal), 24-335, Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/11950
    • Item number: 24-336
    • Date: 1969 May
    • Contributors: Joe Patencio (consultant), Richard Lando (researcher)
    • Language: Cahuilla
    • Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
    • Description: The Bird songs are led by Joe Patencio of Agua Caliente (near Palm Springs). Titles and other descriptive notes have been provided in a four-page typescript by Lando (See Accession file #2598). Lando's notes include a diagram of the Bird Dance and the following descriptive comments: "This is a song cycle of the Cahuillas; probably some are derived from the Mojave, if not all. They are used as social dances with no religious context. They are always accompanied by a rattle, usually filled with palm seeds. At cadences, there is often a rattle spin (Lando)." The tape was orginially recorded half-track at 7.5 ips (one side only about 30 minutes). Distributed on California Indian Music Project, South region, tape 7, side A.
    • Collection: The Richard Lando collection of Cahuilla sound recordings
    • Repository: Phoebe A. Hearst Museum of Anthropology
    • Preferred citation: Cahuilla Bird Songs, 24-336, Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/11951
    • Item number: 24-337
    • Date: 1969 May
    • Contributors: Joe Patencio (consultant), Richard Lando (researcher)
    • Language: Cahuilla
    • Availability: Restricted. (Access only by depositor permission. Email scoil-ling@berkeley.edu to inquire.)
    • Description: Led by Joe Patencio of Agua Caliente. Titles and other descriptive notes have been provided in a four-page typescript by Lando (See Accession file #2598). Lando's notes include a diagram of the Bird Dance and the following descriptive comments: "This is a song cycle of the Cahuillas; probably some are derived from the Mojave, if not all. They are used as social dances with no religious context. They are always accompanied by a rattle, usually filled with palm seeds. At cadences, there is often a rattle spin (Lando)." The tape was orginially recorded half-track at 7.5 ips (one side only about 20 minutes). Distributed on California Indian Music Project, South region, tape 7, side B.
    • Collection: The Richard Lando collection of Cahuilla sound recordings
    • Repository: Phoebe A. Hearst Museum of Anthropology
    • Preferred citation: Cahuilla Bird Songs, 24-337, Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, http://cla.berkeley.edu/item/11952